These pictorial works have been realised using typical oriental techniques and materials, in particular Korean materials.
According to a millennial oriental painting tradition, several “psychrofite”
sheets have been soaked in natural glue and then overlapped in order
to obtain a single sheet of paper.
The ‘canvas’ thus obtained is then finally treated with animal glue in order to guarantee an ideal fixing of colours and a perfect preservation over time.
As for colours, they are natural powders derived from mineral, vegetable
and animal materials. After mixing with water and animal glue, these
natural colours are applied on ‘canvas’ in several layers
so as to obtain the desired chromatic intensity.